Here is a list of collaborations she has done. Most are better than any of her solo work, and someare equally as good as the latter era of EBTG tracks. They vary in styles. Here is a list of collaborations she has done. Most are better than any of her solo work, and someare equally as good as the latter era of EBTG tracks. They vary in styles. Click to expand.I think her voice has held up great over the years.

After listening to the album, she still has the same timbre, and projection she always has.Although there's not as many high notes and low notes in her range, so it's not so hard for her to sing.I like the album and it's much more upbeat, and modern than her last several ones. I don't like the simplistic lyrics though,there are some good couplets and rhymes, but overall, the songs are way too simplistic.I hope there are more releases, and remixes, because a lot of the songs could be really cool like the ones from previous albums.later-1. I'm liking the new album, but negative1, I see your point(s).I think both Tracey and Ben Watt have really tried to sound 'current' in their work.which is amazing to me because I love so much of their classic work.

Get this from a library! Score!: 20 years of Merge Records: the covers! St Vincent; Ryan Adams; Laura Cantrell; Bill Callahan, (Musician); Barbara Manning, (Musician); Tracey Thorn; Jens Lekman; Ted Leo; Quasi (Musical group); Les Savy Fav (Musical group); Shins (Musical group); National (Musical group); Broken Social Scene (Musical group); Bright Eyes (Musical group); Lavender Diamond.

They seem somewhat self-deprecating about their legacy. Almost ashamed that they have a history, weirdly.I'd compare to Alison Moyet who was able to update her sound in the last two albums and yet still sound very much herself.whereas some of the things on Record, in particular, sound a bit generic (by that I mean anyone could sing it). I saw Tracey tonight at Rough Trade East, interviewed by John Grant. I didn't know who he was, but I found out he was the guy who did really great versions of Scott Walker's songs on the recent tribute night. I give him a thumbs up for that.Tracey's voice sound exactly the same as it used to when talking. I asked her if she deliberately lowered her singing voice for this album, but of course she didn't.

She still sounds good, but just a bit deeper. She kindly signed my very nicotine-stained A Distant Shore and Lazy Ways records which I've had since 1983. She said A Distant Shore was originally supposed to be demos - maybe that's why I like it so much, I sort of like bare-bones demos and rough cuts. I haven't really kept up with Tracey since Love Not Money, but I've heard her audiobook autobiography. She's a good person.I will give her new cd a go this weekend, but I'm definitely not a modern dance music fan (that's why I've avoided most of her stuff post 1990), so I might find it difficult if that's what it is.

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I love her, I love her writing, I love her music, I have enjoyed some of her post EBTG solo stuff.I have really mixed feelings about what I've heard on the last few solo albums, especially the new one.I know artists don't want to stay static or be museum pieces and I totally appreciate that. But some of Record seems like.it's hard to say. To say that it's trying to copy younger artists would not be fair. It's a thing I've felt listening to both her work and Ben's where I feel that they are actually self-deprecating about their own work and have filtered their ideas through a more 'now' kind of sound.I just listen to Love Not Money and Eden and Baby The Stars Shine Bright and Amplified Heart and all the others and think, these songs are so sophisticated and layered and wonderful.

Why try to make something we can get anywhere from anyone?And Record has a few strong songs. Smoke is as good as any song Thorn has ever written. But it also has two songs where she namechecks people or things (a longtime EBTG lyrical weakness). And it's just so SAMEY.I'm going to try to give it some more love, but don't know that I'll change my mind. Click to expand.Interesting interview, but I have to point out one inaccuracy. Perhaps Tracey has forgotten her song 'Nowhere Near' from her album Out of the Woods, but if this isn't a song about motherhood I don't know what is:Dog days of summerHeat haze and bad temperAnd whole days of shouting'Would you listen to me?'