Travis: 'Youtalkin' to me? You talkin' to me? You talkin' to me? Well, who thehell else are you talkin' to?

You talkin' to me? Well, I'm the onlyone here. Who the fuck do you think you're talkin' to?' This is one of the most famous and oftenimitated soliloquies in film history.

It occurs shortly after Travishas bought his guns and has decided to discipline his body, anddirectly after the scene where Travis gets himself tagged by oneof Palantine's Secret Service agents. Travis says these macho linesto a mirror, while drawing his gun as quickly as he can to threatenthe imaginary person talking to him. Roger Ebert has noted thatthe line 'Well, I'm the only one here' echoes the central themeof the film, loneliness. Travis is so lonely that he is theonly one there, forced to speak to his reflection. In the scene,Travis acts as if people commonly talk to him in a manner that meritsan aggressive response.

However, until this point in the film theonly person who has even come close to confronting him is the clumsyand ineffectual Tom. By talking to the mirror, Travis creates anew social situation for himself, one where he is in complete control.He sees himself as a vigilante, but in reality he creates conflictwhere there is none, becoming his own antagonist.This defensive soliloquy is not the first time in thefilm that Travis has a one-sided conversation. When he goes to seeBetsy at the Palantine headquarters after she has refused to answerhis calls, he is repetitive and accusatory in a way that resemblesthe 'You talkin' to me?' He says, 'Why won't you talk tome?

In “Taxi Driver,” this psychological profile is explored, and it gets pretty uncomfortable. A walking contradiction. This is a conversation that happens early in the film when Travis is on a date with Betsy (Cybil Shepherd). She says he reminds her of a Kris Kristofferson song, and emphasizes the line about ‘walking contradictions.’. During her date with Travis, Betsy quotes lyrics from a Kris Kristofferson song to describe Travis. The song is 'The Pilgrim: Chapter 33' from the 1971 album The Silver Tongued Devil and I.Betsy quotes the lyrics to the song correctly but leaves some words out, and she mixes up their order, so that the 'walking contradiction' phrase, which is most important to her, comes last.

Why won't you talk to me? Why don't you answer my calls whenI call you? You think I don't know you're here? You think I don'tknow? You think I don't know?'

Instead of faulting someone for talkingto him as he does in the mirror, here he is aggressive toward Betsyfor not calling him. Another version of Travis'ssoliloquy appears even earlier in the film, when Travis is on hisfirst date with Betsy. Betsy compares Travis to a line of a KrisKristofferson song, and he asks, 'You saying that about me?'

Pokemon x emulator online. Shereplies, 'Who else would I be talking about?' These two questionsforeshadow the question-question conversation that Travis has withhimself later on. With Betsy, Travis's response is defensive andupset, while she affirms her observation with the rhetorical question,'Who else?' When Travis talks to himself in the mirror, he is theonly one asking questions, endowing him with a measure of powerhe lacked when he talked to Betsy.

. 'Released: August 21, 1971The Silver Tongued Devil and I is the second studio album recorded by singer-songwriter. It was produced by, released on July 1971 on and followed his critically acclaimed debut.The album is mostly composed of Kristofferson's self-written material. It met critical success upon its release and unlike its predecessor, had commercial success.

It became a top-thirty album on the chart and reached the top five of the chart. Its single, ' charted on the at number twenty-six and chart at number four. The Silver Tongued Devil and I was later. Contents.Background and recording In 1969, signed a recording contract with producer, and joined and its publishing house. His debut album was a critical success but it sold poorly. That year, Kristofferson started an eighteen-month tour, during which he suffered a bout of, which was worsened by his alcohol consumption.

While performing, he would not face the audience and mumbled the words to his songs. Eventually, he was hospitalized.During the tour, Kristofferson performed on.

While in California, Kristofferson met and became friends with singer. Upon returning to in early 1971, he received with his mail at Combine Music Joplin's posthumous album, which at the time was still unreleased. Joplin's album included a cover of his original composition '. The following morning, he returned to the studio and recorded the songs for his second release, titled The Silver Tongued Devil and I. Composition. Excerpt of the title-track, and opening of the albumProblems playing this file? The Silver Tongued Devil and I' opens the album.

The song is set in Tally-Ho Tavern, a bar where Kristofferon worked earlier as a bartender; the patrons included musicians and songwriters. Kristofferson describes a man drinking in a bar; he is too shy to talk to a woman. As the character get drunk, he tries to warn the woman of 'The Silver Tongued Devil' that alcohol brings out in him and how it controls him, inevitably seducing women.

Kristofferson was known among his peers to easily cause the infatuation of women, a recurring theme in the songs of the album. According to Kristofferson's biographers, due to the autobiographical nature of the record, he may have experienced guilt because his sporadic partners aimed to romantic-related results, while he did not.' Jody and the Kid' had been recorded in 1968 by and became a radio hit while Kristofferson worked as a janitor for. The inspiration for the song was an experience Kristofferson had at Tally-Ho Tavern. As he approached the building with his daughter Tracy, a patron shouted: 'Look, here comes Critter, and the kid', in reference to one of Kristofferson's nicknames, Critter.

The song tells the story of a young girl who follows the main character, and the positive reaction of the locals who see them together. As they grew older, they become lovers. At the end of the story, the main character walks with his daughter. While the locals acknowledge them as they pass by, he laments that his partner is absent. 'Billy Dee' described the life struggles of a addict whose life ends with an overdose.' Good Christian Soldier' was written by, who was working for singer as a songwriter. Bare introduced Shaver to, who asked him to write a ' song about the.

Shaver, who did not understand the expression, decided instead to write a song about how he felt the experience of war would affect him. Atkins was unhappy with the result, and following his reaction Shaver decided to leave Nashville. Bare pleaded with Shaver, who was already set to leave.

At 03:00 AM, Kristofferson called Bare. After a night out, Kristofferson wanted to tell Bare about the new album he was working on. Bare agreed and asked Shaver to stay and wait for Kristofferson. When Kristofferson arrived, Bare asked Shaver to play one of his songs. Shaver sang 'Christian Soldier', which he had just completed. Kristofferson was impressed and assured Shaver he would to include it on his release. Shaver, who thought Kristofferson mocked him, drove to Texas.

Weeks later, Bare called Shaver to notify him Kristofferson had included the song on his album. To Shaver's displease, Bare also informed him he changed the name of the song to 'Good Christian Soldier' and that he now had a co-writing credit. The song is about the war experience of a preacher's son from.' Breakdown (A Long Way From Home)' is featured on Kristofferson's acting debut, the 1970 film, which was still unreleased at the time of the album's recording. The song is about a man who reminisces about his past.

The following track 'Lovin' Her Was Easier (Than Anything I'll Ever Do Again)', which was written by Kristofferson in 1969 as he accompanied during the production of, was also included in Cisco Pike. Kristofferson was inspired by the scenery of the mountain range.

The song was first recorded and released by in early July 1971 on; Miller's version entered the Top 30 of.' The Taker', also written by Kristofferson, was first recorded by and released as the title track of.

The song is about a man who attracts a woman who becomes with him. The man takes advantage of the woman, takes her for granted and leaves her. 'When I Loved Her', the next track, was first recorded and released by in July 1971 as the to another Kristofferson song, 'I'd Rather Be Sorry'. Dedicated to Kristofferson's peers, the song was also featured in the film,Problems playing this file?

The Pilgrim, Chapter 33' describes a man who has fallen upon hard times. The character had a past full of 'money, love and dreams' that he traded for his current life as he went after his purpose despite of the consequences.

The song was inspired by Kristofferson's own experience of living as a songwriter, as well as that of one of his often-unemployed peers. He opened the song by listing the artists who inspired it;, Norman Norbert, Dennis Hopper,. The song is also featured in Cisco Pike.' Epitaph (Black and Blue)' closes the album. Kristofferson listened repeatedly to Janis Joplin's album Pearl and was affected by her recent death; he wrote the song in one night.

Session musician assisted him with the composition on the keyboard. Fritts wrote the tune initially using simple that he eventually modified using -style. As Fritts performed the recent changes for Kristofferson, Foster—who was in the control room—said he wanted the song to be only performed by Fritts and Kristofferson for the album. Foster later added scarce string backing to the last verse. While recounting his experience to, Kristofferson said: 'It’s the kind of song you write because you have to, not because you want to'. Style The production of The Silver Tongued Devil and I introduced violins and a horn section to Kristofferson's music.

The theme remained centered in his songwriting. At the time of its release, fans of the album argued it was a. Kristofferson later expressed uncertainty of his intentions while working on it; he stated, 'I was just trying to put together my best songs in a way that all made sense'.The cover of the album shows Kristofferson standing front-and-center while to his left, his own faded figure—which was intended to represent 'The Silver Tongued Devil'—is visible. The picture was taken. In the liner notes, Kristofferson wrote; 'call these echoes of the going-ups and the coming-downs, walking pneumonia and run-of-the-mill madness, colored with guilt, pride and a vague sense of despair'. Release and reception The Silver Tongued Devil and I was released in July 1971 to critical and commercial success. It peaked at number twenty-one on chart and at number four on the chart.

By 1973, the album was by the. The track 'Loving Her Was Easier (Than Anything I'll Ever Do Again)' was released as a single on August 21, 1971, and was backed with 'Epitaph (Black and Blue)'; it entered the top thirty of Billboard's chart and peaked at number twenty-six. Meanwhile, it reached number four on the chart. Professional ratings Review scoresSourceRatingFavorableC-FavorableFavorableFavorableCritic of was impressed by Kristofferson's sense of. Of the lines composed by twelve and sixteen syllables he wrote; 'they are so tight and clear that it is like having another rhythm instrument in the band'.

Hickey also wrote; 'There has never been, and probably never will be a better songwriter album'. Of rated the album C- and criticized what he considered Kristofferon's 'pet paradox' as a songwriter and a 'hobo intellectual as Music Row hit man'. He called Kristoffersn's contributions to the album 'ungainly, not to say dishonest'.Billboard said the album shows Kristofferson's 'consummate skill at natural, sincere simple country songs' and that his 'untrained bass voice' interprets the songs 'even better' than artists who had previously covered his work. Delivered a favorable review, sating the album is 'better' than Kristofferson's debut album. The review predicted The Silver Tongued Devil and I would have 'much less impact' than his first album but that it presents a 'much more assured singer' than his debut record.

Called Kristofferson a writer 'filled with pathos and compassion' who 'put both into his lyrics' and said the release benefits from his 'husky, sorrowful voice'.In a later review, William Ruhlmann of gave The Silver Tongued Devil and I five stars out of five. Ruhlmann said the album contains 'several excellent songs' but said it 'could not live up to its predecessor. The antiestablishment tone of some of Kristofferson was gone along with much of the wry humor, and in their place were touches of morbidity and sentimentality'.

In popular culture The Silver Tongued Devil and I is featured in 's 1976 film. In a scene, the main character love interest compares him to the character of 'The Pilgrim, Chapter 33' and Bickle later buys the record. Before Scorsese filmed Taxi Driver, Kristofferson played a supporting role in Scorsese's film. Track Listing Side one No.TitleWriter(s)Length1.' The Silver Tongued Devil and I'Kristofferson4:132.' Jody and the Kid'Kristofferson3:093.' Billy Dee'Kristofferson2:534.'

Good Christian Soldier',3:185.' Breakdown (A Long Way from Home)'Kristofferson2:41Side two No.TitleWriter(s)Length1.' The Taker'Kristofferson,3:113.' When I Loved Her'Kristofferson2:564.'

The Pilgrim, Chapter 33'Kristofferson3:055.' Epitaph (Black and Blue)'Kristofferson,3:21Personnel.